The first year is your skills year, where you will develop a portfolio of performance techniques through the completion of the following modules:
Presentational Performance:
You will explore the role of the audience, the performer, and their relationship, alongside the conventions of theatre for your first public performance.
Performance Skills:
This unit introduces you to a range of interdisciplinary techniques and strategies in the development and devising of performance including movement, physical comedy, stand-up comedy, voice, and singing.
Acting:
You will explore the methodology of Stanislavsky and develop a conventional actor’s toolkit for the creation of character.
Contextualising Contemporary Performance:
Your practical learning will be put into context with reference to contemporary theatre performers and practitioners.
Autobiographical Performance:
You will investigate your own personal narratives and memories in order to differentiate between the performance of character and the performance of self.
Devised Performance:
The first year culminates in a large ensemble performance which is performed as part of the annual mini-festival ‘unTaPped’.
The second year is your making year, where you will extend the skills developed in the first year to propel your individual artistic position through the completion of the following modules:
Touring Theatre:
You will create an ensemble performance and take it on a week-long tour before developing it into a 45-minute performance for a public audience.
Advanced Performance Skills:
You will develop your exploration of interdisciplinary techniques through the exploration of clowning, mask, contact improvisation, voice, and singing.
Filmmaking:
You will engage with cinematic techniques and experiment with convention in the production and presentation of your own short film to be premiered at the annual mini-festival ‘unTaPped’.
Researching Contemporary Performance:
The theoretical contextualising will continue, but this unit is more focused on the practical application of contemporary practitioners to your own work.
Site Specific Performance:
You will be introduced to conceptual practices that will result in a piece of work being presented in a unique and alternative space.
Prison Theatre:
The year culminates in a project that utilises different strategies and techniques in the creation of a performance piece suitable for prison theatre.
The third year is your professional year, where you will take ownership of your individual artistic practice through the completion of the following modules:
Directed Performance:
You will begin the year by creating an ensemble performance under the direction of a visiting professional director or theatre company.
International Performance:
This unit gives you the experience of creating and performing work for a non-British audience.
Negotiated Research Project:
You will utilise all of your academic skills and critical thinking in the development of either a written or performed dissertation.
Professional Performance Skills:
This unit completes the skill-set for the contemporary performance maker through the exploration of street theatre, physical theatre, and aerial arts, as well as developing a professional portfolio.
Performance Specialism:
This unit will give you the opportunity to select a discipline most suited to your development as a professional practitioner from the professional specialism of your lecturers, including options such as live art, intermedial performance, and bouffant comedy.
Micro-Festival:
Your degree culminates in the management, presentation, and performance of our annual mini-festival ‘unTaPped’. You will oversee all of the first and second years’ performance work as well as having the opportunity to create your own final pieces for an audience of industry professionals.
Since graduating from Theatre and Performance Jake has been involved in a number of creative ventures which have given him the opportunity to continue his passion as a theatre and performance maker. He has a wide-ranging portfolio of professional work that includes solo projects as well as collaborations with well-established practitioners. In 2015 Jake workshopped with Willem Dafoe and Fred Mursec for Speaking the Soul, developing autobiographical performance for a series at Museum of Modern Art (MoMA), New York. In 2016 he began working with the amazing Bryony Kimmings on The Boys Project, a long term art and activism project exploring media stereotypes and the political marginalisation of the young. Jake performed at Manchester International Festival in 2013 with DO IT and again in 2015 with Scum and, after directing several music videos with Unity Productions, he is now currently developing his own show, Plea Bargain and Vent, a series of workshops that creatively explore issues surrounding depression.
Jordan Barber (2011)
